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In Karthik Calling Karthik (KCK), Farhan Akhtar plays the title role. Karthik basically is losing, a simple, the guy of average class that lacks confidence and is intimidated forever in life. It does not like to use portable telephones - for the same reason that Rizwan Khan (shah Rukh Khan) in My Name is Khan does not use them.
Karthik is gullible, naaŻve, and cannot hit with the matters to the work. It likes a girl in the office, the architect Shonali Mukherjee hot (Deepika Padukone), but never is able to say it. It works there for the last one four years, but she never notices it. Karthik always is while under confiding, as a childhood incident affected it.
Then, does which provoke a sudden change in the life of Karthik, and for the better? You guessed it to right, a telephone call of a man that is his homonym and all knowledge of him. Karthik calls everyday Karthik, and the leader by the day to obtain although it wants ae" that the hot position, that the hot chick, although. Now, so only everyone had a mentor likes that!
Until this point, KCK seems as a lesson in the assurance. But the torsion comes when this Karthik of visitor becomes our enemy of Karthik of loser and begins destroying the same life that it helped constructs. That is when the film takes a dramatic bend. From that time, poor Karthik of loser constructs his return life little by little. How it does it, is what touches your heart.
The edcrivain-directeur Vijay Lalwani did KCK with a lot of loves. His treatment of style of Hollywood is good and is if to edit it. The this is an old history in a new format, but the humor in the dialog brands it watchable. Films it does also the turn.
The film does to sympathize you to Karthik. And yes, you are nervous every time the beeps of telephone. Even to shrink it (played by Shefali Chhaya) the races far of him!
The director was able to do efficiently a thriller of a history of the games our games of spirit. The treatment is the edge of the seat and smooth.
Although the this is rather clear by the interval that the film is of, the suspense remains until the end. You do not know until the end if the this is supernatural one of something or not. Look at the film to know the truth.
Farhan Akhtar excels in his third one gone out as an actor. It has the good presence of screen, and possesses truly the capacity to obtain in the skin of any character. Here we have a big actor in the process of being done, if it continues to going the manner that it is now.
Deepika Padukone is as fresh as she was in Love Aaj Kal, and plays his party of girl of bindaas well. There is the step a lot of range for her in this film to show his act, but she does a hot pair with Farhan Akhtar. We wish that there was a time of more of screen of li'l for them from the viewpoint of the songs and things.
Ram Kapoor, Vivan Bhatena, Tarana, Shefali Chhaya and Vipin Sharma capable in their left ones well.
The songs of chartbusting furnish a little li'l of relief of the slow rhythm, but the current of bottom of the tension on the screen remains ae" that is good and bad.
But Karthik Calling Karthik never gives you that high you foresee of a thriller. It will recall you also of some films of hindi or English on the same subject, that I do not reveal deliberately. Nevertheless, the this is a story touching.
Verdict: Vijay Lalwani shows that the Peer of Zameen of Taare and My Name are Khan is not the only two manners to treat sensitive subjects on the celluloid. But the film has not the repeated value once you know the suspense.
Classification: 3/5
Posted on March 3, 2011.