Noir

The classical film of Hollywood the period of black one spread itself since the year beginning 40 to the last years 50. The aesthetic one of black one of film hugely was influenced by German Expressionnisme of the 1910 and the years 20. A lot of the major assistants to film black was immigrants of Europe, that directly had been implied in the movement of Expressionnisme that fled Nazi Germany. Another influences basic and final antecedent were years 30 the realism and the this poetic Frenchwomen are romantic, fatalistic the attitude and the celebration of condemned heroes. The neo realism of Italian contributed also to film the evolution of black one with the this is the home on a style of almost documentary. The pulp the American literature of thrillers of crime and of histories of detective was another influences preponderant. The emancipation blooming women played a party in the formation of black one with the female characters toying with their counterparts and help male in their ruins. These characters go counts and understand that their eroticism gives to be able the to handle men with the comfort. The major examples include Barbara Stanwyck in Double Compensation (1944), Rita Hayworth in Gilda (1946), Lana Turner in The Factor Always Beeps Two times (1946), Ava Gardner in The Murderers (1946) and Jane Greer in Of the Passed (1947). Most of the black ones of film of the classical period was the productions of low budget that did not present major stars and was so comparatively free of the big constraints of budget and the studio intervention. Black of film turned conventional Hollywood is over the head, producing often artificial deserted pieces of work that factored often cynical, minimalist, the absurdist or the realistic themes pulled with the lighting frappamment expressionnistes and the angles of view of thought provokes. The style of black one began influencing little by little the principal current the matters film doing.